100 years of children's book week posters
How did you get involved with creating the original book, 75 Years of Children’s Book Week Posters? It was a department of two people, she and her secretary. He urged publishers to take children’s literature seriously.
Also, Jessie Willcox Smith was well-known to middle class white women for her covers for Good Housekeeping magazine, which was one of the premier service magazines of its day with advice for young mothers. It sounded like a good project, and it was, though it took much longer than I expected. Knopf, $35 Mar. Created at the height of the civil rights movement, Ezra Jack Keats’s poster (1965) reflects the American book world’s belated recognition of the importance of diversity in children’s books. Had these other aspects of the industry not existed, Book Week probably would have died an early death, but it fit in very well with the other efforts the professional side of the book world was making. The awards also became incentives for writers and artists to become involved in the field, adding momentum. It’s hard not to crack a smile at the outrageousness of Tomi Ungerer’s two-kids-in-a-catapult poster (1967), which Ungerer re-purposed for Book Week after Pepsi-Cola rejected it for use in its advertising. It seems that at a certain point, maybe 10 or 15 years into Book Week, the emphasis shifted away from getting parents directly involved and toward reaching teachers and librarians, allowing some of the experts to do the work of spreading the word about books and literacy. Call: 1-800-278-2991 (US) or 1-818-487-2069 (Outside US/Canada) 5 a.m. - 5 p.m. Mon-Fri (Pacific). Sign up for our Children's Bookshelf newsletter! ADVERTISEMENT. I have also always loved William Steig’s (1972), especially his extravagant suggestion that an elephant’s back might be a good place to curl up with a book. The vagaries of the freelance life! In 1919, there weren’t very many bookstores in America, certainly if you didn’t live in a big city. Sad to say, the values of this country weren’t in line with that goal. might be Dear Genius: The Letters of Ursula Nordstrom, which chronicles Nordstrom’s visionary career as the publisher of Goodnight Moon, Charlotte’s Web, Where the Wild Things Are, and other classics through her correspondence with her authors and artists. Nordstrom was always wise about books and the creative alchemy behind them, and–the daughter of two vaudevillians–she was often hilarious, too. Help BOOKS OF WONDER celebrate 100 Years of Children’s Book Week Posters with multiple award-winning artists, including 6 winners of the Caldecott Medal. Parts of this site are only available to paying PW subscribers. What do you think has allowed for the longevity of Children’s Book Week? Because the illustration and writing of children’s books have risen in status in the cultural world as a whole, I believe we’ll see more examples of the very best artists and writers making books for young people. Please note: This list was published in 2015. In updating the book for the 100th anniversary, what are some interesting new facts that you discovered/decided to share? He always had a special interest in children’s books. Also revealed for the first time is the official 100th anniversary poster, illustrated by Yuyi Morales. Thanks to him, I then made contact with the late artist’s brother, with whom I spent an afternoon at a New Jersey retirement home gathering the information I needed. But, speaking of the country as a national market, America wasn’t really very receptive to that at the time. Now I think what’s happening is there’s a systemic change, and it’s not just in the books that are being published, but also in who’s publishing the books, and at least the industry is a lot more aware that it needs to be more integrated and diverse.
It’s a history of the art form through the mid-1970s, when this encyclopedic chronicle was published, written with verve and understanding.